|
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| Last Night I Dreamed You Kissed Me | Evening Star |
| Paul Whiteman and His Orchestra | Paul Whiteman and His Orchestra |
| Columbia 1401-D | Columbia 1401-D |
| Matrix# 146249 5-A-6, Take 5 | Matrix# 146250 6-A-7, Take 6 |
| May 21, 1928 | May 21, 1928 |
| New York, New York | New York, New York |
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| Minnie and Herman | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 5186 | |
| Matrix# B-4556, Take 1, 2 or 3 | |
| June 4, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| On the Belvidere | (Blank) |
| Arthur Pryor's Band | |
| Victor 5206 | |
| Matrix# B-4633, Take 1 or 2 | |
| July 3, 1907 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Needle dig 0:18-0:21. |
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| 'Neath the Old Cherry Tree, Sweet Marie | (Blank) |
| Byron G. Harlan | |
| Victor 5214 | |
| Matrix# B-4720, Take 2 or 3 | |
| July 29, 1907 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Some scratches throughout. |
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| Comin' Thro' the Rye - Humoresque | (Blank) |
| Arthur Pryor's Band | |
| Victor 5218 | |
| Matrix# B-4479, Take 2 | |
| May 14, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| Parade Post With Kaiser Friedrich March | (Blank) |
| German Cavalry Band | |
| Victor 5255 | |
| Matrix# B-4748, Takes 1, 2 or 3 | |
| August 2, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| Under Any Old Flag at All | (Blank) |
| Billy Murray | |
| Victor 5339 | |
| Matrix# B-4967, Take 1 | |
| December 12, 1907 | |
| Camden, New Jersey (?) |
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| Dixie Fantasia | (Blank) |
| Arthur Pryor's Band | |
| Victor 5458 | |
| Matrix# B-4497, Take 2 | |
| July 3, 1907 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Hairline crack halfway through but not audible. |
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| I Want You | (Blank) |
| Henry Burr | |
| Victor 5463 | |
| Matrix# B-6031, Take 5 | |
| April 28, 1908 | |
| Camden, New Jersey (?) |
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| Henny and Hilda at the Schuetzenfest | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 5520 | |
| Matrix# B-6289, Take 3 | |
| July 3, 1908 | |
| Camden, New Jersey (?) | |
| Note: Scratches towards end. |
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| Take Me Out to the Ball Game |
| Haydn Quartet |
| Victor 5570 |
| Matrix# B-6395, Take 3 |
| September 9, 1908 |
| Camden, New Jersey (?) |
| Note: Played at 74 RPM. Start cue before beginning. |
 |
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| When Grandma Was a Girl | (Blank) |
| Ada Jones | |
| Victor 5574 | |
| Matrix# B-6353, Take 2 | |
| August 18, 1908 | |
| Camden, New Jersey (?) | |
| Note: Worn. |
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| Moving Day at Pun'kin Centre | (Blank) |
| Cal Stewart | |
| Victor 5619 | |
| Matrix# B-6532, Take 3 | |
| October 12, 1908 | |
| Camden, New Jersey (?) |
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| Henry's Barn Dance |
| Arthur Pryor's Band |
| Victor 5722 |
| Matrix# B-7055, Take 1 |
| May 7, 1909 |
| Camden, New Jersey (?) |
| Note: Worn. |
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| My Wife's Gone to the Country |
| Collins and Harlan |
| Victor 5736 |
| Matrix# B-8115, Take 2 or 3 |
| July 16, 1909 |
| Camden, New Jersey (?) |
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| Oh, That Moonlight Glide |
| Collins and Harlan |
| Victor 5807 |
| Matrix# B-9636, Take 1 |
| November 9, 1910 |
| New York, New York |
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| Two Little Brown Eyes |
| John Young |
| Victor 5810 |
| Matrix# B-8978, Take 3 |
| November 9, 1910 |
| New York, New York |
| Note: Worn towards end with scratches. |
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| The Last Rose of Summer |
| Charles Schuetze |
| Victor 5860 |
| Matrix# B-10672, Take 1 |
| July 5, 1911 |
| Camden, New Jersey |
| Note: Worn. Needle dig 0:26-0:32. |
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| The Hunter's Farewell | (Blank) |
| Victor Brass Quartet | |
| Victor 4712 | |
| Matrix# B-3151, Take 2 | |
| February 28, 1906 | |
| Philadelphia, Pennsylvania (?) | |
| Note: marked B-3051 in wax |
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| Azaleas | (Blank) |
| Arthur Pryor's Band | |
| Victor 4743 | |
| Matrix# B-3400, Take 1 | |
| May 22, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| La Golondrina (The Swallow) | (Blank) |
| Se?or Francisco | |
| Victor 4800 | |
| Matrix# B-3492, Take 2 | |
| June 27, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| I Don't Know Where I'm Goin, but I'm on My Way | (Blank) |
| Arthur Collins | |
| Victor 4804 | |
| Matrix# B-3474, Take 2 | |
| June 14, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Believe Me if all Those Endearing Young Charms | (Blank) |
| Miss Florence Hinkle | |
| Victor 4874 | |
| Matrix# B-3532, Take 3 | |
| July 16, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Elegie | (Blank) |
| Rosario Bourdon | |
| Victor 4897 | |
| Matrix# B-3869, Take 2 | |
| October 10, 1906 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. |
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| Experience | (Blank) |
| Miss Ada Jones | |
| Victor 4905 | |
| Matrix# B-3909, Take 1 | |
| October 18, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| March Comrades | (Blank) |
| U. S. Marine Band | |
| Victor 4943 | |
| Matrix# B-3892, Take 1 | |
| October 15, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Rosie and Rudolph at the Skating Rink | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 4973 | |
| Matrix# B-4090, Take 5 | |
| January 28, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| The Preacher and the Bear | (Blank) |
| Sousa's Band | |
| Victor 4981 | |
| Matrix# B-3778, Take 2 | |
| September 6, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Don't You Want a Paper, Dearie? | (Blank) |
| Miss Jones and Haydn Quartet | |
| Victor 4997 | |
| Matrix# B-4148, Take 1 or Unknown | |
| December 19, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Herr. Snickelfritz and His Band | (Blank) |
| Len Spencer | |
| Victor 5009 | |
| Matrix# B-3924, Take 3 | |
| October 26, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Chicken Charlie | (Blank) |
| Arthur Pryor's Band | |
| Victor 5011 | |
| Matrix# B-3410, Take 2 | |
| May 24, 1906 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Needle dig 0:52-1:03. Studio noise before and after. |
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| Victory (Easter Hymn) | (Blank) |
| Trinity Choir | |
| Victor 5015 | |
| Matrix# B-4187, Take 1 | |
| January 21, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| Becky and Izzy (A Yiddish Courtship) | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 5034 | |
| Matrix# B-4277, Take 2 | |
| February 28, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| La Gitana Waltz | (Blank) |
| Arthur Pryor's Band | |
| Victor 5076 | |
| Matrix# B-3411, Take 3 | |
| May 24, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| New Colonial March | (Blank) |
| Arthur Pryor's Band | |
| Victor 5126 | |
| Matrix# B-4402, Take 2 | |
| April 16, 1907 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Very worn. |
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| Lorelei | (Blank) |
| Mme. Kitty Berger | |
| Victor 5128 | |
| Matrix# B-4468, Take 2 | |
| May 4, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| Blondy and Her Johnny | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 5133 | |
| Matrix# B-4456, Take 1 | |
| May 2, 1907 | |
| Philadelphia, Pennsylvania (?) |
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| Since You Called Me Dearie | (Blank) |
| Byron G. Harlan | |
| Victor 5146 | |
| Matrix# B-4472, Take 3 | |
| May 9, 1907 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. Needle run throughout. |
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| Iyone - My Own Iyone | Hi-Diddle-Diddle |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 670-D | Columbia 670-D |
| Matrix# 142273 4-D-8, Take 4 | Matrix# 142274 3-C-12, Take 3 |
| June 2, 1926 | June 2, 1926 |
| New York, New York | New York, New York |
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| La Bonita Waltz | (Blank) |
| Samuel Siegel | |
| Victor 4014 | |
| Matrix# [Pre-matrix B-]3381, Take 2 | |
| May 20, 1901 | |
| Camden, New Jersey (?) | |
| Note: Announced. Worn, especially at start. |
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| The Farewell Waltz | (Blank) |
| Miss Morgan and Mr. Stanley | |
| Victor 4171 | |
| Matrix# B-1939, Take 1 or 3 | |
| November 16, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Engineer before start? |
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| German Patriotic Air | (Blank) |
| Sousa's Band | |
| Victor 4196 | |
| Matrix# B-2049, Take 2 | |
| December 14, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. |
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| The Palms | (Blank) |
| Emilio de Gogorza | |
| Victor 4257 | |
| Matrix# B-2128, Take 3 | |
| January 10, 1905 | |
| Philadelphia, Pennsylvania (?) |
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| Good Bye, Sweet Marie | (Blank) |
| Harry Macdonough & Haydn Quartet | |
| Victor 4435 | |
| Matrix# B-2651, Take 1 | |
| June 20, 1905 | |
| Philadelphia, Pennsylvania (?) |
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| The Dragon Fly | (Blank) |
| Victor Dance Orchestra | |
| Victor 4448 | |
| Matrix# B-2692, Take 2 | |
| June 28, 1905 | |
| Philadelphia, Pennsylvania (?) |
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| Katrina's Valentine | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 4474 | |
| Matrix# B-2676, Take 3 | |
| June 27, 1905 | |
| Philadelphia, Pennsylvania (?) |
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| Everybody Works but Father | (Blank) |
| Billy Murray | |
| Victor 4519 | |
| Matrix# B-2743, Take 7 | |
| December 22, 1905 | |
| Philadelphia, Pennsylvania (?) |
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| A Barnyard Serenade | (Blank) |
| Spencer & Holt | |
| Victor 4562 | |
| Matrix# B-2885, Take 1 | |
| November 14, 1905 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Extremely worn, especially at start. |
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| A Gay Gossoon | (Blank) |
| Vess L. Ossman | |
| Victor 4589 | |
| Matrix# B-2853, Take 1 | |
| November 1, 1905 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. |
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| So Long, Mary! | (Blank) |
| Miss Corinne Morgan with Haydn Quartet | |
| Victor 4590 | |
| Matrix# B-2999, Take 2 | |
| January 12, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Why don't You Try? | (Blank) |
| Harry Tally | |
| Victor 4593 | |
| Matrix# B-2930, Take 3 | |
| December 8, 1905 | |
| Philadelphia, Pennsylvania (?) |
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| My Hindoo Man | (Blank) |
| Peter Lewin | |
| Victor 4612 | |
| Matrix# B-3002, Take 2 | |
| January 15, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Serenata (Schubert's Serenade) |
| Señor Francisco (Emilio de Gogorza) |
| Victor 4643 |
| Matrix# B-3085, Take 2 |
| February 5, 1906 |
| Philadelphia, Pennsylvania (?) |
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| Mandy and Her Man | (Blank) |
| Miss Jones and Mr. Spencer | |
| Victor 4670 | |
| Matrix# B-3188, Take 2 | |
| March 16, 1906 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Very worn. |
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| The Rosary | (Blank) |
| Alan Turner | |
| Victor 4676 | |
| Matrix# B-3206, Take 3 | |
| March 23, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| The Whistlers - Intermezzo | (Blank) |
| Sousa's Band | |
| Victor 4705 | |
| Matrix# B-3271, Take 4 | |
| April 13, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| The Dixie Rube | (Blank) |
| Arthur Pryor's Band | |
| Victor 4706 | |
| Matrix# B-3216, Take 2 | |
| March 27, 1906 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Matrix and take numbers set in type, not handwritten. |
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| We are Going Down the Valley | (Blank) |
| Harry Macdonough | |
| Victor 1712 | |
| Matrix# B-1173, Take 1 | |
| March 29, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Very worn. |
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| My Old Kentucky Home | (Blank) |
| Haydn Quartet | |
| Victor 1997 | |
| Matrix# B-3389, Take 3 | |
| May 16, 1906 | |
| Philadelphia, Pennsylvania (?) |
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| Wedding of the Winds Waltz |
| Arthur Pryor's Band |
| Victor 2773 |
| Matrix# B-1263, Take 6 |
| September 23, 1909 |
| Camden, New Jersey (?) |
| Note: Also recorded in earlier takes on April 25, 1904. |
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| The Forge in the Forest | (Blank) |
| Arthur Pryor's Band | |
| Victor 2789 | |
| Matrix# B-1287, Take 5 | |
| November 23, 1905 | |
| New York, New York | |
| Note: Baton before start. In-studio horn bump. |
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| La Gitana Waltz | (Blank) |
| Victor Dance Orchestra | |
| Victor 2874 | |
| Matrix# B-1477, Take 1 or 2 | |
| June 23, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn, especially at start. |
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| Dancing in the Barn | (Blank) |
| Victor Dance Orchestra | |
| Victor 2877 | |
| Matrix# B-1504, Take 2 | |
| June 22, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn or poorly recorded. |
 |
| Sobre las Olas Waltz (Over the Waves Waltz) |
| Victor Dance Orchestra |
| Victor 2881 |
| Matrix# B-6878, Take 1 |
| March 15, 1909 |
| Camden, New Jersey (?) |
| Note: Worn. Hairline crack towards end, not audible. |
 |
 |
| Wedding of the Winds Waltz | (Blank) |
| Victor Dance Orchestra | |
| Victor 2882 | |
| Matrix# B-1509, Take 1 or 2 | |
| June 22 or 23, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. |
 |
 |
| Fall in Line March | (Blank) |
| Victor Dance Orchestra | |
| Victor 2886 | |
| Matrix# B-1520, Take 2 | |
| June 27, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Very worn. Hairline crack halfway through, not audible. |
 |
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| Washington Post March | (Blank) |
| Arthur Pryor's Orchestra | |
| Victor 2887 | |
| Matrix# B-1521, Take 2 | |
| June 27, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. |
 |
 |
| The Norseman March | (Blank) |
| Victor Dance Orchestra (Pryor's Orchestra) | |
| Victor 2892 | |
| Matrix# B-1526, Take 1 | |
| June 28, 1904 | |
| Philadelphia, Pennsylvania (?) |
 |
 |
| Uncle Sammy March | (Blank) |
| Victor Dance Orchestra (Arthur Pryor's Orchestra) | |
| Victor 2897 | |
| Matrix# B-1530, Take 2 | |
| June 28, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. DAHR notes Take 2 was reserved for Canada. |
 |
(Reverse Label Worn Off) |
| Medley of Broadway Hits Good Bye, Eliza Jane Follow the Crowd on a Sunday Down on the Brandywine All Aboard for Dreamland Blue Bell Jovial Joe Meet Me in St. Louis I've Got a Feelin' for You |
(Blank) |
| Frank Mazziotta | |
| Victor 2905 | |
| Matrix# B-1489, Take 2 | |
| June 20, 1904 | |
| Philadelphia, Pennsylvania (?) |
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|
| Tingelingeling | (Blank) |
| August Kreuder | |
| Victor 2910 | |
| Matrix# B-1398, Take 1 | |
| June 3, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Pressing indentation at start. |
 |
|
| Largo | (Blank) |
| Charles D'Almaine | |
| Victor 2925 | |
| Matrix# B-1475, Take 2 | |
| June 15, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn or poor pressing? |
 |
 |
| Royal Italian March | (Blank) |
| Arthur Pryor's Band | |
| Victor 2961 | |
| Matrix# B-1227, Take 1 or 2 | |
| April 18, 1904 | |
| Philadelphia, Pennsylvania (?) | |
| Note: Worn. |
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| Fu' th' Noo' (I've Something in the Bottle) |
| Harry Lauder |
| Victor 70000 |
| Matrix# C-8449, Take 1 |
| December 12, 1909 |
| Camden, New Jersey |
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| He Was Very Kind to Me |
| Harry Lauder |
| Victor 70001 |
| Matrix# C-8471, Take 1 |
| December 12, 1909 |
| Camden, New Jersey |
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| I Love a Lassie |
| Harry Lauder |
| Victor 70002 |
| Matrix# C-8462, Take 1 |
| December 12, 1909 |
| Camden, New Jersey |
| Note: Worn towards end. |
 |
| The Saftest of the Family |
| Harry Lauder |
| Victor 70005 |
| Matrix# C-8460, Take 1 or 2 |
| December 12, 1909 |
| Camden, New Jersey |
| Note: Big scratch 0:00-0:13 filtered somewhat. Very worn. |
 |
| She is My Daisy |
| Harry Lauder |
| Victor 70006 |
| Matrix# C-8467, Take 1 |
| December 12, 1909 |
| Camden, New Jersey |
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| The Wedding of Sandy McNab |
| Harry Lauder |
| Victor 70008 |
| Matrix# C-8459, Take 2 |
| December 12, 1909 |
| Camden, New Jersey |
 |
| When I Get Back to Bonnie Scotland |
| Harry Lauder |
| Victor 70009 |
| Matrix# C-8461, Take 1 |
| December 12, 1909 |
| Camden, New Jersey |
| Note: Swish at start. |
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| We Parted on the Shore |
| Harry Lauder |
| Victor 70013 |
| Matrix# C-8660, Take 1 |
| February 25, 1910 |
| New York, New York |
| Note: Played at 78 RPM. Worn, lots of scratches. |
 |
 |
| Lucia Sextette Chi mi frena (What Restrains Me) (Act II) |
(Blank) |
| Victor Opera Sextette | |
| Victor 70036 | |
| Matrix# C-10101, Take 1 | |
| March 27, 1911 | |
| Camden, New Jersey | |
| Note: Take 3 on Victor 55066-A. Very worn. |
 |
 |
| Stabat Mater - Inflammatus | (Blank) |
| Lucy Isabelle Marsh | |
| Victor 70037 | |
| Matrix# C-10102, Take 1 | |
| March 27, 1911 | |
| Camden, New Jersey | |
| Note: Needle dig from 1:24-1:30. |
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| The Picnic |
| Harry Lauder |
| Victor 70060 |
| Matrix# C-11121, Take 1 |
| October 18, 1911 |
| New York, New York |
| Note: Worn, especially at end. |
 |
| Roamin' in the Gloamin' |
| Harry Lauder |
| Victor 70061 |
| Matrix# C-11122, Take 2 |
| October 18, 1911 |
| New York, New York |
| Note: Scratches after 3:12. |
 |
| A wee Deoch an' Doris |
| Harry Lauder |
| Victor 70062 |
| Matrix# C-11125, Take 1 |
| October 18, 1911 |
| Camden, New Jersey |
| Note: Scratch until 0:20. |
 |
| Breakfast in Bed on Sunday Morn |
| Harry Lauder |
| Victor 70063 |
| Matrix# C-11124, Take 1 |
| October 18, 1911 |
| New York, New York |
| Note: Light scuff 1:50-2:10. |
 |
 |
| Rigoletto Quartet - Bella filgia dell' amore (Fairest Daughter of the Graces) (Act III) |
(Blank) |
| Victor Opera Quartet | |
| Victor 70073 | |
| Matrix# C-10720, Take 14 | |
| March 29, 1912 | |
| Camden, New Jersey | |
| Note: In-studio horn bump at 1:55. |
 |
| The Wee Hoose 'Mang the Heather |
| Harry Lauder |
| Victor 70076 |
| Matrix# C-12813, Take 1 |
| January 18, 1913 |
| Camden, New Jersey |
 |
| Trixie from Dixie |
| Harry Lauder |
| Victor 70095 |
| Matrix# C-12809, Take 1 |
| January 18, 1913 |
| Camden, New Jersey |
| Note: Studio cue before start. |
 |
| She's the Lass for Me |
| Harry Lauder |
| Victor 70096 |
| Matrix# C-12810, Take 1 |
| January 18, 1913 |
| Camden, New Jersey |
 |
| The Kilty Lads |
| Harry Lauder |
| Victor 70097 |
| Matrix# C-12812, Take 1 |
| January 18, 1913 |
| Camden, New Jersey |
| Note: Played at 78 RPM. |
 |
| It's Nice to Get Up in the Mornin' But It's Nicer to Lie in Bed! |
| Harry Lauder |
| Victor 70107 |
| Matrix# C-14327, Take 1 |
| January 15, 1914 |
| Camden, New Jersey |
| Note: Worn. In-studio bumps. |
 |
| The Message Boy |
| Harry Lauder |
| Victor 70110 |
| Matrix# C-14331, Take 1 |
| January 15, 1914 |
| Camden, New Jersey |
 |
| Doughie The Baker |
| Harry Lauder |
| Victor 70112 |
| Matrix# C-16798, Take 1 |
| November 20, 1915 |
| New York, New York |
| Note: Worn with scratches. |
 |
| Rosie |
| Harry Lauder |
| Victor 70113 |
| Matrix# C-16789, Take 1 |
| November 20, 1915 |
| New York, New York |
| Note: Studio cue before start. |
 |
| Nanny |
| Harry Lauder |
| Victor 70114 |
| Matrix# C-17179, Take 2 |
| February 18, 1916 |
| Camden, New Jersey |
| Note: Stubborn needle dig at 2:18. |
 |
| My Bonny Bonny Jean |
| Harry Lauder |
| Victor 70115 |
| Matrix# C-17188, Take 1 |
| February 18, 1916 |
| Camden, New Jersey |
| Note: Worn. |
 |
| Bonnie Maggie Tamson |
| Harry Lauder |
| Victor 70116 |
| Matrix# C-17180, Take 1 |
| February 18, 1916 |
| Camden, New Jersey |
| Note: Pressing bubble 2:15-2:35. |
 |
| The Laddies Who Fought and Won |
| Harry Lauder |
| Victor 70117 |
| Matrix# C-21045, Take 1 |
| November 2, 1917 |
| Camden, New Jersey |
 |
| I Love to be a Sailor |
| Harry Lauder |
| Victor 70118 |
| Matrix# C-21042, Take 1 |
| November 2, 1917 |
| Camden, New Jersey |
| Note: Worn. |
 |
| There is Somebody Waiting for Me |
| Harry Lauder |
| Victor 70119 |
| Matrix# C-21046, Take 2 |
| November 2, 1917 |
| Camden, New Jersey |
 |
| From the North, South, East and West |
| Harry Lauder |
| Victor 70120 |
| Matrix# C-21669, Take 1 |
| April 11, 1918 |
| Camden, New Jersey |
| Worn. |
 |
| Granny's Laddy (One of the Boys Who Went) |
| Harry Lauder |
| Victor 70121 |
| Matrix# C-21672, Take 1 |
| April 11, 1918 |
| Camden, New Jersey |
 |
| Don't Let Us Sing Anymore About War, Just Let Us Sing of Love |
| Harry Lauder |
| Victor 70122 |
| Matrix# C-22458, Take 2 |
| December 10, 1918 |
| Camden, New Jersey |
 |
| When I Was Twenty-One |
| Harry Lauder |
| Victor 70123 |
| Matrix# C-22457, Take 2 |
| December 10, 1918 |
| Camden, New Jersey |
 |
| I Think I'll Get Wed in the Summer |
| Sir Harry Lauder |
| Victor 70125 |
| Matrix# C-23746, Take 1 |
| February 20, 1920 |
| Camden, New Jersey |
 |
 |
| To listen to Act 1 (Parts 1-9) consecutively, click HERE. | |
| To listen to Act 2 (Parts 10-16) consecutively, click HERE. | |
| To listen to Act 3 (Parts 17-25) consecutively, click HERE. | |
| To listen to Act 4 (Parts 26-30) consecutively, click HERE. | |
| To listen to all parts consecutively, click HERE. | |
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| Buy American! (And Good Times Will Come Thru') | Try a Little Tenderness |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2748-D | Columbia 2748-D |
| Matrix# 152362 2-A-1, Take 2 | Matrix# 152365 2-A-1, Take 2 |
| January 31, 1933 | February 1, 1933 |
| New York, New York | New York, New York |
| Note: Very worn. Lamination cracks halfway in. | Note: Very worn. Lamination cracks halfway in. |
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| There's A New Day Comin' | Have You Ever Been Lonely? (Have You Ever Been Blue) |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2753-D | Columbia 2753-D |
| Matrix# 152360 1, Take 1 | Matrix# 152363 3, Take 3 |
| January 31, 1933 | February 1, 1933 |
| New York, New York | New York, New York |
| Note: Very worn. |
 |
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| There's A Ring Around My Rainbow | All Aboard For Dreamland, Baby (Kiss Mama and Papa Goodnight) |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2758-D | Columbia 2758-D |
| Matrix# 152361 1-A-1, Take 1 | Matrix# 152364 2-A-1, Take 2 |
| January 31, 1933 | February 1, 1933 |
| New York, New York | New York, New York |
| Note: Very worn with many lamination edge cracks. | Note: Very worn with many lamination edge cracks. |
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| Moonlight Millionaires | Stormy Weather |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2774-D | Columbia 2774-D |
| Matrix# 152394 1-A-1, Take 1 | Matrix# 152400 2-A-2, Take 2 |
| April 19, 1933 | May 2, 1933 |
| New York, New York | New York, New York |
| Note: Very worn. | Note: Very worn. |
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| The Gold Diggers' Song (We're In The Money) | It's Sunday Down In Caroline |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2775-D | Columbia 2775-D |
| Matrix# 152393 3, Take 3 | Matrix# 152401 1, Take 1 |
| April 19, 1933 | May 2, 1933 |
| New York, New York | New York, New York |
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| In A Garden In Old Kalua | An Old, Old Man, With An Old, Old Pipe |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2777-D | Columbia 2777-D |
| Matrix# 152399 2-A-1, Take 2 | Matrix# 152402 1-A-2, Take 1 |
| April 19, 1933 | May 2, 1933 |
| New York, New York | New York, New York |
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| Lazybones | Rhythm |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2786-D | Columbia 2786-D |
| Matrix# 152420 1-A-1, Take 1 | Matrix# 152423 3-A-1, Take 3 |
| June 22, 1933 | June 22, 1933 |
| New York, New York | New York, New York |
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| In The Vine Covered Church 'Way Back Home | Here You Come With Love |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2799-D | Columbia 2799-D |
| Matrix# 152422 2-A-1, Take 2 | Matrix# 152454 2-A-1, Take 2 |
| June 22, 1933 | July 28, 1933 |
| New York, New York | Chicago, Illinois |
| Note: Worn. | Note: Worn. |
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| Ten Thousand Years Ago | Little Locket Of Long Ago |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2807-D | Columbia 2807-D |
| Matrix# 152453 3-A-2, Take 3 | Matrix# 152455 2-A-2, Take 2 |
| July 28, 1933 | July 28, 1933 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Swish. | Note: Swish. |
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| My Woman! | Somebody Loves You |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2635-D | Columbia 2635-D |
| Matrix# 152136 1-A-2, Take 1 | Matrix# 152141 1-A-2, Take 1 |
| March 15, 1932 | March 16, 1932 |
| New York, New York | New York, New York |
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| In A Shanty In Old Shanty Town | Sweet Sue - Just You |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2652-D | Columbia 2652-D |
| Matrix# 152137 2-A-5, Take 2 | Matrix# 152140 4-A-5, Take 4 |
| March 15, 1932 | March 22, 1932 |
| New York, New York | New York, New York |
| Note: Worn. |
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| I'm Sure of Everything But You | Play Fiddle Play |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2728-D | Columbia 2728-D |
| Matrix# 152322 3-A-1, Take 3 | Matrix# 152323 3-A-1, Take 3 |
| November 28, 1932 | November 28, 1932 |
| New York, New York | New York, New York |
| Note: Worn. Hairline cracks halfway in. | |
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| Headin' For Better Times | Just A Gigolo |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2378-D | Columbia 2378-D |
| Matrix# 151196 4-A-6, Take 4 | Matrix# 151206 1-B-8, Take 1 |
| January 12, 1931 | January 13, 1931 |
| New York, New York | New York, New York |
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| Egyptian-Ella | I'm Crazy 'Bout My Baby |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2428-D | Columbia 2428-D |
| Matrix# 151395 2-B-2, Take 2 | Matrix# 151396 1-A-2, Take 1 |
| March 5, 1931 | March 5, 1931 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
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| One More Time | Ho Hum! |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2452-D | Columbia 2452-D |
| Matrix# 151514 2-A-3, Take 2 | Matrix# 151517 3-A-1, Take 3 |
| April 13, 1931 | April 15, 1931 |
| New York, New York | New York, New York |
| Note: Very worn. Small lamination cracks along edge, not audible. | Note: Very worn. |
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| Dip Your Brush In The Sunshine | The Little Old Church In The Valley |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2467-D | Columbia 2467-D |
| Matrix# 151513 2-A-3, Take 2 | Matrix# 151518 3-A-5, Take 3 |
| April 13, 1931 | April 15, 1931 |
| New York, New York | New York, New York |
| Note: Take 1 listed as issued while statuses of Takes 2 and 3 noted as "Unknown" in DAHR. | Note: Stripped groove at 1:09-1:10. |
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| I'm All Dressed Up With A Broken Heart | I Love You In The Same Sweet Way |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2492-D | Columbia 2492-D |
| Matrix# 151662 3-A-1, Take 3 | Matrix# 151663 3-A-1, Take 3 |
| July 1, 1931 | July 1, 1931 |
| New York, New York | New York, New York |
| Note: Worn. Several small lamination cracks along edge, not audible. | Note: Worn. Several small lamination cracks along edge, not audible. |
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| Dallas Blues | Royal Garden Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2527-D | Columbia 2527-D |
| Matrix# 151397 3-A-2, Take 3 | Matrix# 151398 2-A-1, Take 2 |
| March 6, 1931 | March 6, 1931 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
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| Old Playmate | An Ev'ning In Caroline |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2560-D | Columbia 2560-D |
| Matrix# 151864 4-A-1, Take 4 | Matrix# 151865 3-A-1, Take 3 |
| October 26, 1931 | October 27, 1931 |
| New York, New York | New York, New York |
| Note: Worn. Several small lamination cracks along edge, not audible. | Note: Worn. Several small lamination cracks along edge, not audible. |
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| San | Aunt Hagar's Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2113-D | Columbia 2113-D |
| Matrix# 149743 4-C-12, Take 4 | Matrix# 149784 3-B-9, Take 3 |
| January 8, 1930 | January 20, 1930 |
| New York, New York | New York, New York |
| Note: Worn, especially at start. | Note: Worn. |
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| On the Sunny Side of the Street | Singing a Vagabond Song |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2144-D | Columbia 2144-D |
| Matrix# 150043 2-C-3, Take 2 | Matrix# 150050 4-C-1, Take 4 |
| February 28, 1930 | March 3, 1930 |
| New York, New York | New York, New York |
| Note: Worn. |
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| The Lonesome Road | Dinah |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2181-D | Columbia 2181-D |
| Matrix# 149758 2-A-5, Take 2 | Matrix# 149911 4-E-11, Take 4 |
| January 10, 1930 | January 24, 1930 |
| New York, New York | New York, New York |
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| The Yellow Dog Blues | Sobbin' Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2217-D | Columbia 2217-D |
| Matrix# 150482 4-B-1, Take 4 | Matrix# 150490 2-C-2, Take 2 |
| April 18, 1930 | April 24, 1930 |
| New York, New York | New York, New York |
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| The World Is Waiting For The Sunrise | Three O'Clock In The Morning |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2246-D | Columbia 2246-D |
| Matrix# 150460 3-C-8, Take 3 | Matrix# 150467 7-A-3, Take 7 Matrix# 150467 8-1, Take 8 |
| April 14, 1930 | April 24, 1930 |
| New York, New York | New York, New York |
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| Homemade Sunshine | Laughing At Life |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2311-D | Columbia 2311-D |
| Matrix# 150855 4-B-5, Take 4 | Matrix# 150856 3-B-6, Take 3 |
| October 3, 1930 | October 3, 1930 |
| New York, New York | New York, New York |
| Note: Lamination cracks at start. Scratches. | Note: Lamination cracks at start. Scratches. |
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| Somebody Stole My Gal | Someday Sweetheart |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2336-D | Columbia 2336-D |
| Matrix# 150478 2-A-3, Take 2 | Matrix# 150479 4-A-2, Take 4 |
| April 17, 1930 | April 17, 1930 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
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| I'm Walkin' Around in a Dream | Maybe - Who Knows? |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1854-D | Columbia 1854-D |
| Matrix# 148559 1-C-8, Take 1 | Matrix# 148562 3-B-5, Take 3 |
| May 26, 1929 | May 26, 1929 |
| Los Angeles, California | Los Angeles, California |
| Note: Lamination cracks, most not audible. Stressed loud passages. | Note: Lamination cracks, most not audible. Stressed loud passages. |
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| Lewisada Blues | I Love You |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1916-D | Columbia 1916-D |
| Matrix# 148568 5-A-3, Take 5 | Matrix# 148578 2-A-16, Take 2 |
| May 30, 1929 | June 5, 1929 |
| Los Angeles, California | Los Angeles, California |
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| Through! | Lonely Troubadour |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1957-D | Columbia 1957-D |
| Matrix# 148933 4-A-2, Take 4 | Matrix# 148936 3-A-2, Take 3 |
| August 23, 1929 | August 24, 1929 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Edge scuff a few seconds in. |
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| My Little Dream Boat | Lady Luck |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1999-D | Columbia 1999-D |
| Matrix# 146742 1-B-4, Take 1 | Matrix# 148932 3-C-5, Take 3 |
| July 18, 1928 | August 22, 1929 |
| New York, New York | Chicago, Illinois |
| Note: Circular lamination crack 0:57-1:14, barely audible. |
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| My Little Dream Boat | In the Land of Jazz |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia CB 5 | Columbia CB 5 |
| Matrix# 146742 1-?-?, Take 1 | Matrix# 148566 3-?-?, Take 3 |
| July 18, 1928 | May 30, 1929 |
| New York, New York | Los Angeles, California |
| Note: Worn. |
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| Farewell Blues | Wabash Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2029-D | Columbia 2029-D |
| Matrix# 148930 3-A-7, Take 3 | Matrix# 148931 4-C-13, Take 4 |
| August 21, 1929 | August 21, 1929 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Recording/pressing problem at 0:36-0:37. |
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| You've Got That Thing | Harmonica Harry |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2088-D | Columbia 2088-D |
| Matrix# 149613 2-A-3, Take 2 | Matrix# 149734 4-A-2, Take 4 |
| December 23, 1929 | January 6, 1930 |
| New York, New York | New York, New York |
| Note: Skip/defect on master at 1:59. |
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| Shim-Me-Sha-Wabble | Clarinet Marmalade |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1573-D | Columbia 1573-D |
| Matrix# 146642 3-F-18, Take 3 | Matrix# 146643 4-C-25, Take 4 |
| July 16, 1928 | July 16, 1928 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
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| When the Curtain Comes Down | Glad Rag Doll |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1709-D | Columbia 1709-D |
| Matrix# 147417 2-B-1, Take 2 | Matrix# 147423 3-B-2, Take 3 |
| December 12, 1928 | December 13, 1928 |
| New York, New York | New York, New York |
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| When the Curtain Comes Down | Russian Lullaby |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 5389 | Columbia 5389 |
| Matrix# 147417 38184 2, Take 2 | Matrix# 147722 38196 3, Take 3 |
| December 12, 1928 | December 20, 1928 |
| New York, New York | New York, New York |
| Note: Same as Columbia 1709-D. Lamination crack 3/4th to center, not audible. |
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| Limehouse Blues | Roses of Picardy |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1789-D | Columbia 1789-D |
| Matrix# 147416 4-B-3, Take 4 | Matrix# 147721 3-A-2, Take 3 |
| December 11, 1928 | December 20, 1928 |
| New York, New York | New York, New York |
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| Limehouse Blues | Allah's Holiday |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 5330 | Columbia 5330 |
| Matrix# 147416 38183 4, Take 4 | Matrix# 147700 38189 3, Take 3 |
| December 11, 1928 | December 6, 1928 |
| New York, New York | New York, New York |
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| A Good Man is Hard to Find | I Ain't Got Nobody |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1428-D | Columbia 1428-D |
| Matrix# 145798 4-B-7, Take 4 | Matrix# 145799 3-B-9, Take 3 |
| March 22, 1928 | March 23, 1928 |
| New York, New York | New York, New York |
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| At Last I'm Happy | Truly |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 2408-D | Columbia 2408-D |
| Matrix# 151197 3-B-3, Take 3 | Matrix# 151306 2-A-2, Take 2 |
| January 12, 1931 | February 13, 1931 |
| New York, New York | New York, New York |
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| Wandering in Dreamland | Lily |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 895-D | Columbia 895-D |
| Matrix# 143442 1-A-6, Take 1 | Matrix# 143443 4-A-2, Take 4 |
| February 6, 1927 | February 6, 1927 |
| New York, New York | New York, New York |
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| Fifty Million Frenchmen Can't Be Wrong | One Sweet Letter From You |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 988-D | Columbia 988-D |
| Matrix# 144052 3-B-6, Take 3 | Matrix# 144053 1-E-10, Take 1 |
| April 27, 1927 | April 27, 1927 |
| New York, New York | New York, New York |
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| Wah! Wah! | Frankie and Johnny |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1017-D | Columbia 1017-D |
| Matrix# 143640 3-B-2, Take 3 | Matrix# 143998 1-B-, Take 1 |
| March 23, 1927 | April 21, 1927 |
| New York, New York | New York, New York |
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| The Darktown Strutters' Ball | Alexander's Ragtime Band |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1084-D | Columbia 1084-D |
| Matrix# 143708 2-A-10, Take 2 | Matrix# 144247 4-C-11, Take 4 |
| March 23, 1927 | June 2, 1927 |
| New York, New York | New York, New York |
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| The Sweetheart of Sigma Chi | Good Night |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 1296-D | Columbia 1296-D |
| Matrix# 144990 4-A-7, Take 4 | Matrix# 145420 4-D-2, Take 4 |
| December 2, 1927 | December 16, 1927 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
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| Poor Papa | In My Gondola |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 585-D | Columbia 585-D |
| Matrix# 141657 3-D-11, Take 3 | Matrix# 141672 1-B-8, Take 1 |
| February 10, 1926 | February 11, 1926 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Worn. | Note: Worn. |
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| No | I've Found A New Baby |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 600-D | Columbia 600-D |
| Matrix# 141665 4-C-7, Take 4 | Matrix# 141673 3-C-15, Take 3 |
| February 10, 1926 | February 11, 1926 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Light lamination cracks across, audible in middle. | Note: Light lamination cracks across, audible in middle. |
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| That's Why I Love You | Where'd You Get Those Eyes? |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 667-D | Columbia 667-D |
| Matrix# 142271 3-C-40, Take 3 | Matrix# 142272 4-I-54, Take 4 |
| June 1, 1926 | June 1, 1926 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
|
|
| Iyone - My Own Iyone | Hi-Diddle-Diddle |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 670-D | Columbia 670-D |
| Matrix# 142273 4-D-20, Take 4 | Matrix# 142274 3-D-11, Take 3 |
| June 2, 1926 | June 2, 1926 |
| New York, New York | New York, New York |
| Note: Very worn with lamination cracks audible, first few seconds damaged/missing. | Note: Very worn with lamination cracks audible. |
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| My Mamma's In Town | The New St. Louis Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 697-D | Columbia 697-D |
| Matrix# 142275 2-H-84, Take 2 | Matrix# 142276 2-A-87, Take 2 |
| June 3, 1926 | June 3, 1926 |
| New York, New York | New York, New York |
| Note: Lamination circle crack 2/5ths in but not audible. | |
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| For My Sweetheart | I Can't Get Over a Girl Like You |
| Leo Reisman and His Orchestra | Ted Lewis and His Band |
| Columbia 754-D | Columbia 754-D |
| Matrix# 142388 4-D-13, Take 4 | Matrix# 142448 3-B-14, Take 3 |
| July 12, 1926 | July 26, 1926 |
| New York, New York | Chicago, Illinois |
| Note. Scratch across, barely audible. | Note: Worn. |
 |
 |
| Tiger Rag | Blues (My Naughty Sweetie Gives To Me) |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 770-D | Columbia 770-D |
| Matrix# 142444 2-C-7, Take 2 | Matrix# 142445 2-D-18, Take 2 |
| July 16, 1926 | July 16, 1926 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Brash. | Note: Brash. |
 |
 |
| Bugle Call Rag | Some Of These Days |
| Ted Lewis and His Band | Ted Lewis and His Band with Sophie Tucker |
| Columbia 826-D | Columbia 826-D |
| Matrix# 142950 4-D-23, Take 4 | Matrix# 142955 2-G-34, Take 2 |
| November 22, 1926 | November 23, 1926 |
| Chicago, Illinois | Chicago, Illinois |
 |
 |
| Wistful and Blue | If You See Sally |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 844-D | Columbia 844-D |
| Matrix# 142962 4-G-5, Take 4 | Matrix# 142963 3-G-5, Take 3 |
| November 26, 1926 | November 26, 1926 |
| Chicago, Illinois | Chicago, Illinois |
| Note: 60 Hz electrical hum on master, reduced by filtering. |
 |
 |
| When My Baby Smiles At Me | Keep A Little Sunshine In Your Heart |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 922-D | Columbia 922-D |
| Matrix# 142951 3-A-1, Take 3 | Matrix# 142954 3-A-2, Take 3 |
| November 22, 1926 | November 23, 1926 |
| Chicago, Illinois | Chicago, Illinois |
| Note: 60 Hz electrical hum on master, reduced by filtering. | Note: 60 Hz electrical hum on master, reduced by filtering. |
 |
 |
| Marguerite | I Miss My Swiss |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 406-D | Columbia 406-D |
| Matrix# 140714 3-B-34, Take 3 | Matrix# 140716 2-F-29, Take 2 |
| June 23, 1925 | June 23, 1925 |
| New York, New York | New York, New York |
 |
 |
| Angry | Say Arabella |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 416-D | Columbia 416-D |
| Matrix# 140711 2-D-7, Take 2 | Matrix# 140715 2-A-18, Take 2 |
| June 22, 1925 | June 23, 1925 |
| New York, New York | New York, New York |
 |
 |
| Milenberg Joys | Tin Roof Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 439-D | Columbia 439-D |
| Matrix# 140709 2-F-55, Take 2 | Matrix# 140710 3-C-58, Take 3 |
| June 22, 1925 | June 22, 1925 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
 |
 |
| Bam Bam Bamy Shore | The Camel Walk |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 478-D | Columbia 478-D |
| Matrix# 141123 3-A-6, Take 3 | Matrix# 141124 2-A-26, Take 2 |
| October 8, 1925 | October 8, 1925 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
 |
 |
| While We Danced Till Dawn | Just Around The Corner |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 504-D | Columbia 504-D |
| Matrix# 141211 4-D-53, Take 4 | Matrix# 141212 3-C-47, Take 3 |
| October 28, 1925 | October 28, 1925 |
| New York, New York | New York, New York |
| Note: Low volume on master. | Note: Low volume on master. |
 |
 |
| Don't Wake Me Up (Let Me Dream) | That Certain Party |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 531-D | Columbia 531-D |
| Matrix# 141393 2-A-20, Take 2 | Matrix# 141415 2-B-23, Take 2 |
| December 15, 1925 | December 18, 1925 |
| New York, New York | New York, New York |
| Note: Lamination crack one-half inch inward, not audible. |
 |
 |
| Pretty Little Baby | I Wish't I Was In Peoria |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 543-D | Columbia 543-D |
| Matrix# 141436 3-C-22, Take 3 | Matrix# 141437 2-F-15, Take 2 |
| December 28, 1925 | December 28, 1925 |
| New York, New York | New York, New York |
| Note: Problems during vocals on master. |
 |
 |
| Drifting and Dreaming | The Monkey Doodle-Doo |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 620-D | Columbia 620-D |
| Matrix# 141394 3-D-24, Take 3 | Matrix# 141416 2-E-22, Take 2 |
| December 15, 1925 | December 18, 1925 |
| New York, New York | New York, New York |
 |
 |
| Whispering | The Japanese Sandman |
| Paul Whiteman and His Ambassador Orchestra | Paul Whiteman and His Ambassador Orchestra |
| Victor 18690-A | Victor 18690-B |
| Matrix# B-24393, Take 9 | Matrix# B-24390, Take 4 |
| August 23, 1920 | August 19, 1920 |
| Camden, New Jersey | Camden, New Jersey |
| Note: Worn. | Note: Worn. |
 |
 |
| Cho-Cho-San | Song of India |
| Paul Whiteman and His Orchestra | Paul Whiteman and His Orchestra |
| Victor 18777-A | Victor 18777-B |
| Matrix# B-25307, Take 2 | Matrix# B-25322, Take 4 |
| May 18, 1921 | May 31, 1921 |
| Camden, New Jersey | Camden, New Jersey |
| Note: Worn. | Note: Worn. |
 |
 |
| Valencia | No More Worryin' |
| Paul Whiteman and His Orchestra | Paul Whiteman and His Orchestra |
| Victor 20007-A | Victor 20007-B |
| Matrix# BVE-35242, Take 8 | Matrix# BVE-35245, Take 2 |
| March 30, 1926 | March 26, 1926 |
| New York, New York | New York, New York |
 |
 |
| Sam 'Phoning His Sweetheart 'Liza | Sam 'n' Henry at the Dentist |
| Sam 'n' Henry | Sam 'n' Henry |
| Victor 20032-A | Victor 20032-B |
| Matrix# BVE-35328, Take 3 | Matrix# BVE-35329, Take 1 |
| April 20, 1926 | April 20, 1926 |
| New York, New York | New York, New York |
| Note: In 1928, this duo changed their name to Amos 'n' Andy. 125Hz turnover used instead of 200. | |
 |
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| Sam's Speech at the Colored Lodge | Sam 'n' Henry at the Fortune Tellers |
| Sam 'n' Henry | Sam 'n' Henry |
| Victor 20093-A | Victor 20093-B |
| Matrix# BVE-35066, Take 2 | Matrix# BVE-35073, Take 1 |
| May 27, 1926 | May 28, 1926 |
| Chicago, Illinois | Chicago, Illinois |
| Note: In 1928, this duo changed their name to Amos 'n' Andy. | |
 |
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| Magnolia (Mix The Lot - What Have You Got?) | Love And Kisses (From Baby to You) |
| Paul Whiteman and His Orchestra | Paul Whiteman and His Orchestra |
| Victor 20679-A | Victor 20679-B |
| Matrix# BVE-38779, Take 1 | Matrix# BVE-38805, Take 2 |
| May 24, 1927 | May 13, 1927 |
| New York, New York | New York, New York |
| Note: Poor shellac. | |
 |
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| Mary (What Are You Waiting For?) | Changes |
| Paul Whiteman and His Orchestra | Paul Whiteman and His Orchestra |
| Victor 21103-A | Victor 21103-B |
| Matrix# BVE-40945, Take 2 | Matrix# BVE-40937, Take 3 |
| November 25, 1927 | November 23, 1927 |
| Chicago, Illinois | Chicago, Illinois |
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| Jazzin' Baby Blues | Boar Hog Blues |
| Richard M. Jones' Jazz Wizards | Richard M. Jones' Jazz Wizards |
| Victor 21203-A | Victor 21203-B |
| Matrix# BVE-40820, Take 2 | Matrix# BVE-40822, Take 2 |
| November 7, 1927 | November 7, 1927 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Worn. | Note: Worn. |
| Alternate Filter | Alternate Filter |
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| A New Slant on War | Timely Topics |
| Will Rogers | Will Rogers |
| Victor 45347-A | Victor 45347-B |
| Matrix# B-27457, Take 2 | Matrix# B-27458, Take 2 |
| February 6, 1923 | February 6, 1923 |
| New York, New York | New York, New York |
 |
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| Dream Daddy | Mr. Radio Man |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 82-D | Columbia 82-D |
| Matrix# 81544 1-14, Take 1 | Matrix# 81545 2-16, Take 2 |
| February 10, 1924 | February 10, 1924 |
| New York, New York | New York, New York |
| Note: Worn towards end. | Note: Worn towards end. Hairline crack at end, not audible. |
 |
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| San | She's Everybody's Sweetheart |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 122-D | Columbia 122-D |
| Matrix# 81681 2-A-2, Take 2 | Matrix# 81682 3-D-38, Take 3 |
| April 10, 1924 | April 10, 1924 |
| New York, New York | New York, New York |
| Note: Hairline crack half-inch in, not audible. | Note: Worn. |
 |
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| Sweet Little You | Eccentric |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 195-D | Columbia 195-D |
| Matrix# 81908 3-E-9, Take 3 | Matrix# 81909 4-E-4, Take 4 |
| August 11, 1924 | August 11, 1924 |
| New York, New York | New York, New York |
| Note: Crack halfway through. Worn. | Note: Worn. |
 |
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| She Loves Me | Too Tired |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 227-D | Columbia 227-D |
| Matrix# 81990 4-B-35, Take 4 | Matrix# 140094 2-A-43, Take 2 |
| September 10, 1924 | October 7, 1924 |
| New York, New York | New York, New York |
| The lead-out groove, though not connected to the main groove, has what sounds like a few notes from a piano here. |
 |
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| Show Me The Way | Nobody Loves You Like I Do |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 241-D | Columbia 241-D |
| Matrix# 140095 2-D-26, Take 2 | Matrix# 140110 3-C-39, Take 3 |
| October 9, 1924 | October 17, 1924 |
| New York, New York | New York, New York |
 |
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| Rose-Marie | Madeline |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 255-D | Columbia 255-D |
| Matrix# 140140 4-B-5, Take 4 | Matrix# 140149 1-D-13, Take 1 |
| November 14, 1924 | November 24, 1924 |
| New York, New York | New York, New York |
 |
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| I Ain't Got Nobody To Love | I Like You Best Of All |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 274-D | Columbia 274-D |
| Matrix# 140199 2-B-7, Take 2 | Matrix# 140205 1-D-10, Take 1 |
| December 19, 1924 | December 23, 1924 |
| New York, New York | New York, New York |
| Note: Tracking problem on master at 1:29. |
 |
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| Will You Remember Me? | O, Katharina! |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 295-D | Columbia 295-D |
| Matrix# 140234 3-F-136, Take 3 | Matrix# 140374 3-F-134, Take 3 |
| January 9, 1925 | January 29, 1925 |
| New York, New York | New York, New York |
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| Ah-Ha! | We're Back Together Again |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 311-D | Columbia 311-D |
| Matrix# 140379 3-G-62, Take 3 | Matrix# 140334 2-E-60, Take 2 |
| February 2, 1925 | February 7, 1925 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Needle dig/skip at 0:34. |
 |
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| The Memphis Blues | Tiger Rag |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3813 | Columbia A3813 |
| Matrix# 80763 3-1, Take 3 | Matrix# 80765 2-1, Take 2 |
| January 4, 1923 | January 5, 1923 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Worn. |
 |
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| Jenny | Liza |
| Ted Lewis and His Band | Frank Westphal and His Orchestra |
| Columbia A3814 | Columbia A3814 |
| Matrix# 80764 3-J-26, Take 3 | Matrix# 80766 2-BJ-35, Take 2 |
| January 5, 1923 | January 5, 1923 |
| Chicago, Illinois | Chicago, Illinois |
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| Wet Yo' Thumb | Aunt Hagar's Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3879 | Columbia A3879 |
| Matrix# 80969 6-B-16, Take 6 | Matrix# 80970 3-E-19, Take 3 |
| April 17, 1923 | April 16, 1923 |
| New York, New York | New York, New York |
| Note: Lamination crack halfway in, not audible. Warped. | Note: Worn and warped. |
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| Beale Street Mamma | Louisville Lou (The Vampin' Lady) |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3892 | Columbia A3892 |
| Matrix# 80971 4-E-74, Take 4 | Matrix# 80981 3-B-74, Take 3 |
| April 17, 1923 | April 20, 1923 |
| New York, New York | New York, New York |
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| Cut Yourself a Piece of Cake | The Duck's Quack |
| Ted Lewis and His Band | Frank Westphal and His Orchestra |
| Columbia A3944 | Columbia A3944 |
| Matrix# 81111 4-D-26, Take 4 | Matrix# 81042 2-A-5, Take 2 |
| July 5, 1923 | May 29, 1923 |
| New York, New York | Chicago, Illinois |
| Note: Slightly worn and warped. | |
 |
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| Annabelle | Love |
| Ted Lewis and His Band | Eddie Elkins' Orchestra |
| Columbia A3957 | Columbia A3957 |
| Matrix# 81135 3-B-8, Take 3 | Matrix# 81116 2-C-14, Take 2 |
| July 14, 1923 | July 9, 1923 |
| New York, New York | New York, New York |
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| Beale Street Blues | 12th. Street Rag |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3972 | Columbia A3972 |
| Matrix# 80979 ?-?-?, Probably Take 3 | Matrix# 80980 4-?-(3?)6, Take 4 |
| April 19, 1923 | April 19, 1923 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
 |
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| Ted Lewis Popular Favorites Excerpt from Poet and Peasant Overture (von Suppe) Blues My Naughty Sweetie Gives To Me Tell Me Sally, Won't You Come Back? Georgette When My Baby Smiles At Me |
Schubert Serenade |
| Ted Lewis and His Band | Columbia Symphony Orchestra |
| Columbia 1S | Columbia 1S |
| Matrix# 81218 3-617, Take 3 | Matrix# 64384 5-F-77, Take 5 |
| September 16, 1923 | 1923 (?) |
| New York, New York | New York, New York (?) |
| Note: Worn. |
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| Steppin' Out | Unfortunate Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 48-D | Columbia 48-D |
| Matrix# 81382 3-C-42, Take 3 | Matrix# 81386 1-G-57, Take 1 |
| December 4, 1923 | December 6, 1923 |
| Chicago, Illinois | Chicago, Illinois |
| Note: Worn. | Note: Needle dig from 0:49-0:54. Worn. |
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| Twelve O'Clock At Night | The One I Love Belongs To Somebody Else |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia 52-D | Columbia 52-D |
| Matrix# 81381 5-?-79, Take 5 | Matrix# 81387 3-D-92, Take 3 |
| December 4, 1923 | December 6, 1923 |
| Chicago, Illinois | Chicago, Illinois |
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| Medley of Plantation Songs | (Blank) |
| Haydn Quartet | |
| Victor 1416 | |
| Matrix# B-1306, Take 7 | |
| January 5, 1909 | |
| Camden, New Jersey (?) |
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| Die fier Kashes (Der Seder Nacht) | (Blank) |
| Miss Lizzie Goldfinger with Goldin Quartet | |
| Victor 2878 | |
| Matrix# B-1568, Take 1 | |
| July 8, 1904 | |
| New York, New York | |
| Note: noted as B-1572 in EDVR |
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| New Year's at Old Trinity | (Blank) |
| Haydn Quartet | |
| Victor 2935 | |
| Matrix# B-1563, Take 1, 2, 3, or 4 | |
| July 7, 1904 | |
| Philadelphia, Pennsylvania (?) |
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| Die fier Schnorers (from Jeshive Buchor) | (Blank) |
| Goldin Hebrew Quartet | |
| Victor 2949 | |
| Matrix# B-1571, Take 1 | |
| July 8, 1904 | |
| New York, New York | |
| Note: In-studio bumps at 0:07 and 0:12. |
 |
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| The Darky and the Boys | (Blank) |
| Edwin Whitney | |
| Victor 5636 | |
| Matrix# B-[Unnumbered 1908-10-11-01], Take 1 | |
| October 11, 1908 | |
| Camden, New Jersey (?) |
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| Amina |
| Arthur Pryor's Band |
| Victor 5685 |
| Matrix# B-6782, Take 1 |
| February 8, 1909 |
| Camden, New Jersey (?) |
| Note: Worn. |
 |
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| Tell Me Sweet Rose | Sadness Will Be Gladness |
| Mart Britt and His Orchestra | Mart Britt and His Orchestra |
| Victor V-40012-A | Victor V-40012-B |
| Matrix# BVE-47025, Take 2 | Matrix# BVE-47019, Take 2 |
| September 14, 1928 | September 13, 1928 |
| Memphis, Tennessee. Memphis Auditorium. | Memphis, Tennessee. Memphis Auditorium. |
| Note: Three stomps before song begins. |
 |
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| When It's Springtime In The Rockies | Sleepy Rio Grande |
| Bud and Joe Billings (pseudonym for) Frank Luther and Carson Robison |
Bud and Joe Billings (pseudonym for) Frank Luther and Carson Robison |
| Victor V-40088-A | Victor V-40088-B |
| Matrix# BVE-50887, Take 2 | Matrix# BVE-50888, Take 3 |
| May 16, 1929 | May 16, 1929 |
| Camden, New Jersey | Camden, New Jersey |
| Note: Reversing the RIAA curve by the standard 200Hz made it sound too tinny above. 125Hz sounds better Here. | Note: 200Hz sounds fine but 125Hz is Here just in case. |
 |
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| Those Dark Eyes | Your Love and Mine |
| Blind Jack Mathis | Blind Jack Mathis |
| Victor V-40262-A | Victor V-40262-B |
| Matrix# BVE-56418, Take 2 | Matrix# BVE-56421, Take 2 |
| October 18, 1929 | October 18, 1929 |
| Dallas, Texas | Dallas, Texas |
| Note: Worn. | Note: Worn. |
 |
| Benediction of the Poignards |
| Edison Concert Band |
| Edison Blue Amberol #2543 |
| Disc Matrix# 2518 (50154-L) |
| October 20 or 24, 1913 |
| New York, New York |
 |
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| Rosy Posy | Every Day |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3590 | Columbia A3590 |
| Matrix# 80219 2-AP-57, Take 2 | Matrix# 80220 7-N-27, Take 7 |
| February 24, 1922 | February 24, 1922 (not confirmed for this take) |
| New York, New York | New York, New York |
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| Sunshine Alley | We'll Build A Dear Little, Cute Little Love Nest Some Sweet Day |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3647 | Columbia A3647 |
| Matrix# 80360 7-AD-59, Take 7 | Matrix# 80361 5-A?-23, Take 5 |
| June 2, 1922 | June 2, 1922 |
| New York, New York | New York, New York |
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| Georgette | Send Back My Honeyman |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3662 | Columbia A3662 |
| Matrix# 80428 2-C-6, Take 2 | Matrix# 80429 2-C-4, Take 2 |
| June 28, 1922 | June 28, 1922 |
| New York, New York | New York, New York |
| Note: Slightly worn. |
 |
 |
| Hot Lips | I Love You Sweet Angeline from "Strut Miss Lizzie" |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3676 | Columbia A3676 |
| Matrix# 80463 6-16, Take 6 | Matrix# 80469 6-48, Take 6 |
| July 20, 1922 | July 22, 1922 |
| New York, New York | New York, New York |
| Note: Worn. |
 |
 |
| Homesick | To-morrow (I'll Be In My Dixie Home Again) |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3709 | Columbia A3709 |
| Matrix# 80543 3-AO-196, Take 3 | Matrix# 80548 2-AD-195, Take 2 |
| September 15, 1922 | September 16, 1922 |
| New York, New York | New York, New York |
 |
 |
| Fate | A Dream of Romany |
| Ted Lewis and His Band | Paul Specht and His Hotel Astor Orchestra |
| Columbia A3738 | Columbia A3738 |
| Matrix# 80566 1-40, Take 1 | Matrix# 80414 2-43, Take 2 |
| September 27, 1922 | June 23, 1922 |
| New York, New York | New York, New York |
| Note: Warped and worn. | |
 |
 |
| Narcissus | Hearts and Flowers |
| Arthur Pryor's Band | Victor Orchestra |
| Victor 16029-A | Victor 16029-B |
| Matrix# B-6222, Take 5 | Matrix# B-2328, Take 2 |
| June 17, 1913 | September 10, 1908 |
| Camden, New Jersey | Camden, New Jersey (?) |
| Note: Hairline crack barely audible until 0:08. | Note: Worn with hairline crack audible until 1:10. |
 |
 |
| Gesundheit! | National Air of Germany - "Die Wacht am Rhein" |
| Arthur Pryor's Band | Sousa's Band |
| Victor 16138-A | Victor 16138-B |
| Matrix# B-4811, Take 1 | Matrix# B-11355, Take 2 |
| September 16, 1907 | December 12, 1911 |
| Philadelphia, Pennsylvania (?) | Camden, New Jersey |
 |
 |
| Foreign Missions | Our Army and Navy |
| William H. Taft | William H. Taft |
| Victor 16143-A | Victor 16143-B |
| Matrix# B-6337, Take 1 | Matrix# B-6328, Take 1 |
| August 5, 1908 | August 5, 1908 |
| Hot Springs, Virginia | Hot Springs, Virginia |
 |
 |
| An Ideal Republic | Immortality |
| William Jennings Bryan | William Jennings Bryan |
| Victor 16168-A | Victor 16168-B |
| Matrix# B-6273, Take 3 | Matrix# B-6272, Take 2 |
| July 21, 1908 | June 15, 1908 |
| Lincoln, Nebraska | Lincoln, Nebraska |
 |
 |
| Sugar Foot Stomp | Slippery Elm |
| Fred Hamm and His Orchestra | Art Landry and His Orchestra |
| Victor 20023-A | Victor 20023-B |
| Matrix# BVE-34039, Take 4 | Matrix# BVE-33657, Take 3 |
| December 17, 1925 | January 6, 1926 |
| Chicago, Illinois | Camden, New Jersey |
| Note: Edge crack a few grooves in, not audible. | |
| Note: Take 3 noted in DAHR. Worn. | Note: Worn. |
 |
 |
| Underneath The Palms | Love Me |
| Ted Lewis Jazz Band | Ted Lewis Jazz Band |
| Columbia A3411 | Columbia A3411 |
| Matrix# 79689 3-CAR-88, Take 3 | Matrix# 79696 2-CB-88, Take 2 |
| February 1921 | March 22, 1921 |
| San Francisco, California | San Francisco, California |
| Note: Worn. | Note: Worn. |
 |
 |
| All By Myself | One Kiss |
| Ted Lewis and His Band | The Happy Six |
| Columbia A3434 | Columbia A3434 |
| Matrix# 79884 4-?-185, Take 4 | Matrix# 79855 3-?-115, Take 3 |
| June 11, 1921 | May 23, 1921 |
| New York, New York | New York, New York |
 |
 |
| Sally, Won't You Come Back | Second Hand Rose |
| Ted Lewis and His Orchestra | Ted Lewis and His Orchestra |
| Columbia A3453 | Columbia A3453 |
| Matrix# 79923 3-AS-95, Take 3 | Matrix# 79937 2-?-24, Take 2 |
| July 1, 1921 | July 13, 1921 |
| New York, New York | New York, New York |
| Note: Edge scuffed. |
 |
 |
| Wang Wang Blues | Home Again Blues |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3464 | Columbia A3464 |
| Matrix# 79963 2-AB(?)-31, Take 2 | Matrix# 79964 4-A-46, Take 4 |
| August 17 or 18, 1921 | August 17 or 18, 1921 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
 |
 |
| Ma | Bimini Bay |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3473 | Columbia A3473 |
| Matrix# 79984 3-?-6, Take 3 | Matrix# 79988 2-?-136, Take 2 |
| September 12, 1921 | September 13, 1921 |
| New York, New York | New York, New York |
| Note: Worn. | Note: Worn. |
 |
 |
| Ten Little Fingers and Ten Little Toes (Down in Tennessee) | Everybody Step |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3499 | Columbia A3499 |
| Matrix# 80017 4-?-125, Take 4 | Matrix# 80039 1-BBL-107, Take 1 |
| October 19, 1921 | October 21, 1921 |
| New York, New York | New York, New York |
| Note: Abrupt end/lead out. |
 |
 |
| Down The Old Church Aisle | Marie |
| Ted Lewis and His Band | Ted Lewis and His Band |
| Columbia A3538 | Columbia A3538 |
| Matrix# 80037 4-?-18, Take 4 | Matrix# 80122 3-?-120, Take 3 |
| December 24, 1921 | December 23, 1921 |
| New York, New York | New York, New York |
| Note: Take 5 listed as the issued one in DAHR, #4 as "Unknown". | Note: Worn. |
 |
 |
| I'm Old but I'm Awfully Tough | (Blank) |
| Cal Stewart | |
| Columbia 22 | |
| Matrix# 22-4II, Take 4 | |
| ca. 1901-1904 | |
| New York, New York | |
| Note: Stressed loud passages. |
 |
 |
| Short and Sweet (Kurz und B�ndig) Polka | (Blank) |
| Bohumir Kryl and Leroy Haines | |
| Columbia 1185 | |
| Matrix# 1185-1-I, Take 1 | |
| ca. 1903 | |
| New York, New York | |
| Note: Announced as a "Harvard Record", a recently introduced subsidiary of Columbia. Only issued as Manhattan 1185 according to DAHR. |
 Larger Image |
 |
| Columbia Advertising Record (Label is 5 & 3/8 inches across!) | Good Night, Little Girl, Good Night |
| Edward D. Easton (President of Columbia) (?) | Henry Burr |
| Matrix# 32030-10, Take 10 | Matrix# 3330-6, Take 6 |
| 1913 | ca. 1905-1910 |
| New York, New York (?) | New York, New York |
| Note: Big needle dig from 0:36-0:57, mostly filtered out. |
 |
 |
| Turkey in De Straw | Whistling Pete |
| Billy Golden | Golden and Hughes |
| Columbia A1291 | Columbia A1291 |
| Matrix# 38215-2-26, Take 2 | Matrix# 38214-1-25, Take 1 |
| August 23, 1912 | August 23, 1912 |
| New York, New York | New York, New York |
| Note: Lamination crack audible until 1:16. Worn. | Note: Worn. |